Manual How to Cartoon a Dog a Million ways in 10 Easy Steps

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Jarrod Knight has been cartooning for over 20 years. He works from home creating children's books, how to cartoon books, t-shirt designs, stickers, greeting .
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The result is a heartwarming story of two unlikely animal friends sharing Christmas. Biteable makes it easy with hundreds of free animated video templates. Get started here. Then it ends with a hilariously meta tagline. A favorite of this experts over at Ad Week , this subversive second spot originally aired during the Super Bowl.

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The series of second ads aired on a handful of channels at 2 a. Channeling art house cinema and the films of Ingmar Bergman, these ads were dreamlike, highly stylized, and, yes, somewhat incomprehensible. Viewers were split. Some found the ad and its CGI mascot to be hilarious, while others thought it was creepy, annoying, or stupid. But the overall consensus?

It definitely grabbed your attention. Starring a cute little boy and a dog named Duck, we watch as the two grow older, side by side, and eventually learn how the pup got his unusual name. And yes, you might just cry anyway. In parts of Asia, Thailand in particular, advertisers seem to be all about making viewers cry. One company, Thai Life Insurance, is especially well-known for producing massively popular, touching commercials. For millions of Americans, the Super Bowl is really about the commercials.

While older viewers tend to still be interested in the game, one poll found that the majority of viewers under 30 prefer the ads to the halftime show or the action on the field. Advertisers are well aware of this fact.


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Every year, the ads get more over the top — more celebrity cameos, more elaborate special effects — and every year the cost to reach that ad-loving audience increases. But its impact was even more profound for some viewers. The letters we got were full of gratitude and excitement. According to Ad Age , prior to this commercial airing, Monster.

In the months that followed, they averaged 2. The ad struck a perfect balance — a beloved movie franchise, a tiny kid dressed up as an iconic villain, a cute family moment, a humorous payoff. Kristofferson is, as you'd expected, named after legendary singer and Blade star Kris Kristofferson, since Wes Anderson and writer Noah Baumbach are both fans of his work. Maybe it's because Captain Hook started out on stage that he's so darn good at getting us all cheering and yelling at the screen - for the other guy.

A villain more adept at sneering you'd look hard to find, and as cold-blooded killers go it's hard to top him. But he's also a man of culture and some pretentions to finesse, making his all the scarier when he decides to just go for the throat. And it's a testament to this film that, while the character's been played a thousand times, this one feels like the original. Maybe it's that dashing red coat - we do love a man in uniform.

50. Mickey Mouse

The gibbering panic that overtakes the otherwise snarling bad guy whenever the sound of ticking comes near. This was the last Disney film that all nine of the legendary animators the Nine Old Men worked on as directing animators. After this, they were spread across different concurrent projects at any given time.

When it comes to Monsters, Inc. You could go for Boo, arguably the cutest kid in movie history. Or Sulley, John Goodman's lovable walking rug of a monster. Or even Roz, the first evidence that Bob Petersen could do more than work behind the microphone. But it's the refreshing, unforced jollity and decency of Billy Crystal's Mike Wazowski that just about wins out.

Endearingly hapless, with a cavalier attitude towards paperwork, the manic wackiness of Wazowski provides the perfect counterbalance to Sulley's more lugubrious nature. And when he's funny, boy, is he funny. No wonder the dude goes into stand-up by the film's end. Oh, and we should also point out that Wazowski is effectively a walking eyeball just another excuse for the boys at Pixar to show that they can take any object or shape and invest it with emotion and life. The sweetness that's exposed when Wazowski or Googlie Bear, as he might also be known goes on a date with his beloved Celia.

It all goes wrong, naturally, but it's nice to see another side to the big goof-eyeball. Culture clashes have always been dramatic meat for filmmakers, but this is a more imaginative take on it than most. And Jack Skellington is at the heart of it, good-hearted but profoundly ignorant of what he's messing with. His obsession is not something you usually see in kid's cartoons - he's not a man on a noble mission but a weirdo fixated on something against reason, and it's his friend Sally who, like the audience, knows it's a bad idea and wants him to stop - but it's his flaws that make him human, first getting swept away despite himself and then, eventually, doing the right thing.

He also gets bonus points for owning animation's most adorable ghost dog, as Zero and his cute little Jack o' lantern nose couldn't belong with anyone truly evil. The song "What's this", as Jack - accustomed as he is to the dark, twisted Halloween Town, tries to get his head around the sweetness and light of Christmas Town. It's no wonder he gets things a bit mixed up. Tim Burton who, please remember, did not direct came up with the idea for this film after seeing a department store swap straight from Halloween decorations to Christmas ones.

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His original story only included the characters of Jack, Zero and Santa Claus; the rest were added for the screen. First Appearance: Shrek! Anyone remember the last time they really cared about Shrek or Fiona in a Shrek movie? Us either. It's all about the supporting cast, who upstage the ostensible leads every single time the camera turns their way.

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Donkey - hyperactive, desperately insecure, unfailingly loyal - is one of the best of them. Eddie Murphy plays nerdier and sillier than his usual characters and, in profound contrast to his efforts in Norbit, it pays off in spades. Sure, we have yet to forgive him for making us wonder how a donkey and a dragon mate, but apart from that he's a raving success. The single best Donkey moment in the series is probably when Puss-in-Boots appears in Shrek 2, trying to wangle his way into Shrek's affections with his adorable kitty pose.

When Steven Spielberg bought the rights to the book on which this is based, in , he apparently envisioned making a traditionally animated film with Bill Murray as Shrek and Steve Martin as Donkey. We'd rather like to see that one. Ever been annoyed by a celebrity voice coming out of a cartoon's mouth? If so, blame this guy, because Robin Williams' electric voice performance as the Genie in this Disney fairytale set something of a fashion for star casting in animation. What most of the copycats missed, however, was the fact that it wasn't Williams' star power that did the job here but his gift for comic improvisation - and the ability of Disney's animators, led by Genie supervising animator Eric Goldberg, to keep up with him - that made the Genie such a memorable, magical character.

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Also, far too few animated characters turn themselves into rockets. Probably the 'Prince Ali' musical number, which sees the Genie perform the main song but also transform himself into crowd members to start a hundred different rumours as Aladdin, disguised as a prince, makes his triumphal entry into the city. Robin Williams was allowed to improvise much of his performance, which is pretty unusual in animation. His initial recordings included about 52 separate characters, which Eric Goldberg then took and worked with, picking the funniest bits to animate.

She may be older than most of the characters here, but the grandmother in Belleville Rendezvous is the very definition of indefatigable. When her cyclist grandson is kidnapped by nefarious underworld biking fans, she pedals across oceans with only her faithful dog for company, enduring hardships without number to seek him out. She also endures the all-frog diet of the eccentric triplets of Belleville before finally taking on gangsters and tycoons to rescue her prize.

Now that, ladies and gentlemen, is dedication. In an unusual approach to sports massage, Madame Souza massages her grandson's overworked calves with an egg beater. Cuddly, gentle and peace-loving, Totoro is a pure forest spirit who comes to the assistance of people in emotional need. He and his small friends also make kick-ass stuffed toys.

Created by Japanese animation king Hayao Miyazaki, his gang resemble a cross between a rabbit and a Moomin, but have a quirky personality all of their own - they carry around bags of acorns which they use to grow trees , use umbrellas and travel in a cat bus. That's right: a cat that is also a bus. But even amid such cuties, Totoro's round and cuddly self is still our favourite. The beautiful, silent sequence where young heroine Satsuki stands beside Totoro at a bus stop during a storm. Enjoying the sound the falling rain makes on his umbrella, the magical creature grins, then jumps up and down, shaking water from the trees above.

Animation's answer to Leonard Shelby, Dory is as sunny and good-natured as she is incapable of remembering your name for more than a few moments. Her short-term memory problems make for easy jokes within the context of the film, but as the story builds they acquire immense poignancy as she tries to overcome her limits and remember. Her triumphant realisation that she recognises the name Nemo is a moment of triumph on a par with Rocky conquering those darn steps, or the final mission in Top Gun.

You'll never root as hard for any other fish. The myth that goldfish have a memory of only seconds is not, in fact, true.